“ampeg amps” in Classifieds in Ontario

Cogs and Sprockets , a one man grind band out of NV, will be sharing a disgustingly heavy side of a split with us in the near future. We are pumped, and will be going into to record soon maybe next month or a little later. Repress probably won’t happen, at least for a while, but the split is on its way. Within the last 2 weeks we had our practice space broken into, and stuff stolen. A couple amps and guitars. Well, I’m a glad to say that we found the douche AND got all of our stuff back.

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The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code.

 · Ampeg V4 (s) Ampeg B (c), and Ampeg V-4B (s) bass heads. Compared to the major brands Fender and Marshall, the collectability and playability of

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Re – caping an Ampeg vt22 or v4. This is NOT a beginners amp project! OK lets take a look at the original circuit. There are 4 multi-can caps used, 3 triple metal cans and 1 double cardboard can.

 · The Ampeg VT is the 2×12″ combo of the V Series, and was the sibling, circuit-wise, of the V-4 head and V 4×10″ combo. All used four A output tubes to generate a conservatively rated watts, which can often top watts downhill with a good tailwind which is to say, when ://

The snappy tones are either humbuckers in split mode or in parallel with other split ones. The first Morse signature guitar had a pair of single coils in between the ‘buckers, but the new one has just one single near the bridge ‘bucker. His switching is kind of strange in that he can “split and combine” into all sorts of combinations. DiMarzio winds all of his pickups, and they are wound differently for Steve’s needs, too.

The bridge pickup isn’t wound as much, but the magnet is MUCH stronger. I forget the details on his single coils, but they are stacks IIRC, which also split when used in parallel combos with other coils. Steve tends to use at least a pair of amps, sometimes more. He usually has a dry amp and one for effects, and all of the effects are brought in or out with volume pedals.

He used to be really big on rack stuff. I don’t know if that’s changed, but for his style, I doubt it. I don’t think he’s really used pedals for a very long time now.

Joe Principe

I always liked the band because of their amazing live sound, and dedication. Marc is definitely a guy that has got something to say. Hey Marc, how are you? When and how did you guys decide to start again?

 · ampeg, the story behind the sound by gregg hopkins ampeg: the story behind the sound by gregg hopkins — reviews suggested reading | double bass guide dating ampeg amplifiers:: ampeg | all ampeg all the time Ampeg: The Story Behind the Sound by Gregg Hopkins, Bill Moore pdf ampeg book,

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Ampeg VT 22 Song: All Down the Line Artist: Check out anything off Exile on Main Street for reference. The sheer melodic content vs. Steve Vai houses genius, melody and lighthearted feeling in a way that no other guitar player can. The tone and technique offered in the thin piece of vinyl was a small viewing glass into what was soon to become a new era in instrumental guitar technique.

Ampeg Amp Schematics to assist you with your amplifier repairs and modifications. Javascript is disabled on your browser. To view this site, you must enable JavaScript or upgrade to

As it turns out, the “mad modder” attempted to “Tweedify” this unit. He got relatively close, but didn’t really have a basic understanding of how electronic circuits operate. However, the quality of his work was simply abysmal! Terminals that were originally joined have been cut for no real reason, wire insulation is burned and melted all OVER the place. He replaced the filter capacitors with discrete parts wrapped up in electrical tape and attached to the chassis using a couple of twist-ties from loaves of bread!

This has to do with the wiring of the foot switch for the “tremolo” function.

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He became interested in music at an early age and his dad would play early rock and roll records such as Chuck Berry. His first big influence in learning how to play rock came through listening to Led Zeppelin records. Playing drums initially, Van Leeuwen sought to imitate Zeppelin drummer, John Bonham, but later switched to guitar and discovered that he had an aptitude for it. He cites Jimmy Page as a big influence: I would have to say that Jimmy Page was the first influence I had as a guitar player.

Ampeg has been a huge part of amplifier history, with amplifiers dating back to the mid s that have been used by bands such as The Rolling Stones, Pink Floyd, Television, Booker T and the MG’s, The Clash and ://

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Biography[ edit ] Joe Principe began his musical career at age 15, learning to play by ear and influenced during his formative years by Bad Religion , Minor Threat , Bad Brains , the Descendents , Bob Skwerski and other like minded bands. Precision, and Denis Buckley. In , tensions formed within the band, and the members decided to break up and go their separate ways. Rise Against —present [ edit ] Main article: It was then McIlrath agreed to form the band.

They later met up with drummer Toni Tintari and formed the band as “Transistor Revolt”, the band’s original name before changing it to “Rise Against”.

 · It’s an Ampeg SVT and the SVT cab to go with it. I can’t tell what year the head is from. Ampeg SVT; What year is this thing? [Re: getz out] The Bear Jew MP Hall of Fame Member Registered: 11/13/01 Posts: Dating by EIA date codes is impossible since the Japanese components do not carry EIA codes. However, all MTI-era Ampegs //Re_Ampeg_SVT_What_year_is_this.

Crackdowns against the Occupy Wall Street encampments across the country reached the epicenter of the movement on Tuesday, when police rousted protesters from a. The shocking truth about the crackdown on Occupy Naomi Wolf US citizens of all political persuasions are still reeling from images of unparallelled police brutality in a coordinated crackdown against peaceful OWS protesters in cities across the nation this past week. An elderly woman was pepper-sprayed in the face; the scene of unresisting, supine students at UC Davis being pepper-sprayed by phalanxes of riot police went viral online; images proliferated of young women — targeted seemingly for their gender — screaming, dragged by the hair by police in riot gear; and the pictures of a young man, stunned and bleeding profusely from the head, emerged in the record of the middle-of-the-night clearing of Zuccotti Park.

But just when Americans thought we had the picture — was this crazy police and mayoral overkill, on a municipal level, in many different cities. The National Union of Journalists issued a Freedom of Information Act request to investigate possible federal involvement with law enforcement practices that appeared to target journalists.

The New York Times reported that New York cops have arrested, punched, whacked, shoved to the ground and tossed a barrier at reporters and photographers covering protests. Reporters were asked by NYPD to raise their hands to prove they had credentials: Other reporters wearing press passes were arrested and roughed up by cops, after being — falsely — informed by police that It is illegal to take pictures on the sidewalk. In New York, a state supreme court justice and a New York City council member were beaten up; in Berkeley, California, one of our greatest national poets, Robert Hass, was beaten with batons.

The picture darkened still further when Wonkette and Washingtonsblog. To Europeans, the enormity of this breach may not be obvious at first.

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